Dance involving Shiva is an exercise that uses patterns of activities. It’s like doing a numbers puzzle using your body for that canvas. The dance involving Shiva has 64 distinct arm positions, and this practice aims to discover ways to link each position to each other. Towards this end, you can practice specific movements or sequences involving movements. To know about siva om siva om lyrics in tamil, click here.
A simple sequence involving movements would be Forwards-Forwards (both arms move forwards. ) Starting from positions 1-1, you would probably then move your biceps and triceps through these positions: 2-2, 3-3, 4-4, and then get back to the first position 1-1.
Every time the first digit in every single pair is the position on the left arm while the second number is the right arm’s position.
Another pattern involving movements would be Forward-Backwards. For example, starting with a-a, you could move through b-d, c-c, d-b, and then get back to a-a.
A simple “sequence” involving movements might be Change-Forwards, Forwards-Change. Starting from 1-a, you would undertake these positions:
Notice how this sequence must be frequent four times to return to the commencement.
Sometimes when doing the boogie of Shiva, you have to prevent and think both with regards to where your arms are generally, what move is following, and what position comes due to that movement.
One way of making it easier to figure out where you stand is to use a different way associated with labeling the positions. For example, 1-1 is a pure or perhaps total label. The left arm is within position one, and maybe the right arm. Therefore, we could call this position 1-zero, where 1 is the position from the left arm and zero may be the movement that would take the right eye to where the right equipment is.
To describe the position of the right arm relative to the actual left, we can use the title of the movement necessary to make the left arm from its position into the position of the correct arm. And so 1-zero shift would mean that the right equipment is in the same position as the left arm. 2-3 could be known as 2-forwards since the right equipment is a forward move from the left arm. 3-c might be called 3-change since the correct arm is a “change” shift away from the left arm. Finally, 4-2 would be called 4-transquarter, in which the transquarter is the movement from 4 to 2 (and incidentally from 2 to 4. )
Using this mention, the forward-forward sequence through 1-1 (or 1-zero) appears like this: 1-zero, 2-zero, 3-zero, 4-zero, 1-zero.
Mentally, you can move your left arm to at least one, and knowing that your correct arm is going to the same place, you can mentally see each arm going to mirror jobs simultaneously.
If you start from place 1-2, where the right equipment is a forward move ahead from the left arm, then the sequence appears like this: 1-2, 2-3, 3-4, 4-1, 1-2 or 1-forward, 2-forward, 3-forward, 4-forward, 1-forward.
The nice thing about this technique is that knowing the relationship between the left and right hands, you can use that as a “key” to help you quickly figure out the positioning of the right hand in line with the position of the left hand.
Performing a Forward-backward sequence from 1-2, you have 2-1, 3-4, 4-3, 1-2.
Looking at the figures, you might notice that this arrangement consists of 1-2/2-1 and 4-3/3-4 pairs. But in (I wish to say polar coordinates) relatives coordinates, you have 1-forward, 2-backward, 3-forward, 4-backward, and 1-forwards.
While not the same, the pattern or even “relationships” is simple and practice easy to keep track of. Furthermore, once you understand this pattern of human relationships, you have another way of looking at the arm positions, making it both easier to do and more satisfying.
You may even find that simply being aware of how the arms relate, you may start noticing relationships and designs in other living areas.
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